Toru takemitsu coral island water music vocalism ai - Toru Takemitsu - Coral Island / Water Music / Vocalism Ai.

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Takemitsu was the recipient of numerous awards and prizes including the Prix Italia, first prize at the Festival of Contemporary Music in Karuisawa (both in 1958), the German Consulate prize at the Tokyo Contemporary Music Festival (1960 and 1961), the major prize at the Japanese Art Festival (1966), the Otaka Prize (1976 and 1981) and the Los Angeles Film Critics Award (for the film “Ran”, 1987), the UNESCO-IMC Music Prize (1991), the Grawemeyer Award for Music Composition (1994) and the Glenn Gould Prize (1996). Takemitsu was composer-in-residence at the Canberra Festival of Musica Viva in Australia (1960), at the London Music Digest (1973) and the Evenings for New Music at the State University of New York in Buffalo (1977). In 1979, he was appointed as an honorary member of the Academy of Arts in the German Democratic Republic, a member of the American Academy of Arts and Letters in 1984, a member of the Ordre des arts et des letters in 1985 and in 1994 as a member of the Royal Academy of Music in London.

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During his time with Jikken Kōbō, Takemitsu came into contact with the experimental work of John Cage ; but when the composer Toshi Ichiyanagi returned from his studies in America in 1961, he gave the first Japanese performance of Cage's Concert for Piano and Orchestra . This left a "deep impression" on Takemitsu: he recalled the impact of hearing the work when writing an obituary for Cage, 31 years later. [20] This encouraged Takemitsu in his use of indeterminate procedures and graphic-score notation, for example in the graphic scores of Ring (1961), Corona for pianist(s) and Corona II for string(s) (both 1962). In these works each performer is presented with cards printed with coloured circular patterns which are freely arranged by the performer to create "the score". [21]

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